She mentioned in her post that although the pattern is a reproduction of a vintage pattern, the instructions use modern construction techniques; namely a zip, and ordinary (non-lapped) seams.
This got me thinking. Until recently, I’d never even come across lapped seams, and the idea of using press studs/snaps rather than a zip to fasten a dress would never have occurred to me.
Lapped seams were common in the 1930s. The complex shaping of some of the clothes, like the jacket in this Vintage Vogue pattern, meant that normal, right-sides-together seams would be incredibly tricky to do.
This illustration in “The Art of Needlework” shows how a lapped seam is created.
|Constructing a lapped seam|
All of the Vintage Vogue patterns in my collection include vintage techniques in the instructions. Some, like Vogue 2787 from 1948, give a choice of vintage or modern methods for fastening. However no alternative is offered for the lapped seams which are used in this and in Vogue 8686 from 1933.
The use of lapped seams continued into the 1950s. Vogue 8851 from 1952 uses them on the bodice.
This 1950s Maudella pattern, although short on instructions (like most Maudella patterns I own), does say to turn under the shaped edge of the bodice panel front and stitch it over the side front bodice. With all of those right angles, it would be a nightmare to do otherwise.
|Lovely use of on-grain and bias cutting|
As well as the seams and fastens, Vogue 8686 includes instructions for top-stitching the belt which exactly match an illustration in my 1930s “Weldons Encyclopaedia of Needlework”.
|Belt illustration centre left|
Given that the instructions on early C20th patterns tended to be ‘concise’, it’s easy to see that books such as my 1930s sewing manuals filled a need for more detailed information. The pages on side fastens, snap fastens and hooks and eyes in Weldons would all have been useful for the home dressmaker making Vogue 8686 in its original form.
|Press studs and hooks and eyes|
|More plackets, and how to support a pleated section of a skirt|
“The Art of Needlework” includes six pages of instructions on how to put together a skirt from a pattern, again presumably because a number of dressmakers would have found the pattern instructions themselves insufficient.
|The skirt in question (Fig 185) and illustrations for pleats|
Both books go into some detail on how to make and sew pleats.
Zips were available to the home dressmaker in the 1930s but may well have been a novelty; Weldons does include a short section on how to use them.
However zips, even in 1950s, were far chunkier and less smooth than modern ones. I bought this dress at a vintage fair, and some day I intend to make a pattern from it. Although there is no label in it, parts of it are beautifully finished inside; I wonder if it was made by a professional dressmaker?
|I'll make the skirt longer|
But the zip! Not only is it a pale beige (although the side placket is so well constructed that it hardly shows), but the metal teeth are so rough that it was a struggle to get the dress onto the dressform to photograph it: it kept snagging on the fuzzy fabric of the form.
The dress also has one of my favourite period features, pleats at elbows. But that is a whole different technique.