Old and new

I'm combining a new-to-me method with some tried and trusted favourites.

My big worktable on which I do my cutting out is temporarily out of commission, so I'm having to use my dining table instead. Obviously, this gets used for lots of things, and if I want to do any cutting out, I have to clear it first. So to minimise the time spent clearing things off and putting things back, I have decided to try batch cutting. The intention is to cut out the pieces for three separate dresses at once, and then sew them.

My starting point

I know that lots of people do this, possibly for the reason for which I'm giving it a go, but I have never tried it before. Given my fondness for squirrel projects, I have always been worried that I will end up with multiple cut-out but unsewn projects lying around. So I will have to be disciplined for once, and actually do the projects I have planned!

To improve the (limited) chances of this actually happening, I am sticking with patterns which I have used before and which I therefore know I can make reasonably easily and quickly. Like the Grace dress, the existing versions are all in heavy rotation in my wardrobe.

First up, Simplicity 4463. I have found that I greatly prefer this, with its simpler skirt, to its reissue version 1777.

The original illustration

It's very much a winter dress however, made in a thick, slightly fluffy, cotton. I decided that I want a summer version as well, and I am going to use a cotton lawn which has been in my stash for a while. I originally had other plans for it, but decided that it would be perfect for this project. As a slight change, I am going to make view 1, albeit all in the same fabric.

The original plan

Butterick 2535 is another easy-to-wear 1940s dress which gets a lot of use. (My taste seems to be moving away from full-skirted dresses, and I don't think that it's just because of all the ironing involved!)

I haven't decided on sleeves, yet

For this I'm using a cotton print which is, gasp, not blue! I rarely wear brown, so I'm not entirely sure how this will turn out, but I do need to try other colours occasionally.

Another fabric bought because I liked the print

Finally, Style 1271. I don't feel that view C of this has really worked. I don't know exactly what the problem is, but it just feels frumpy. It has been put aside while I consider how to tweak it. View B, however, always gets compliments when I wear it.

My versions of B and C turned out very differently

I wasn't really planning to make another one of these, but then I spotted this remnant, which I thought would be perfect. The stripes are across the fabric, but I will cut it out with the stripes running lengthwise.

Jaunty!

It's going to be a challenge to cut out, as there isn’t a lot of fabric. At least that has limited the damage to the Stashometer.

It was going quite well!

I must admit that even I am dubious about how well batch cutting will work for me, but here goes!

A new 'Grace'

Some things are slow burners.

Exactly five years ago next week I finished making a Wardrobe By Me Grace dress. As I wrote at the time, I wasn't totally enamoured of the end result. It was nowhere near Dress of Frump standard (my benchmark/nadir for dressmaking failures), but it certainly wasn't my new favourite dress, either.

To be fair, I did describe it at the time as a "good basic dress", and over time it has become one of my go-to dresses. The drawstring waist means that it's always comfortable - and a doddle to iron, as well. It always looks smart, and can be dressed up or down. And it has pockets. In short, it's had a lot of wear over five years, and while it still looks perfectly presentable, I decided that it was time to make another one.

I suspect that part of the design's allure is its late-1970s vibe. The band collar, shoulder yoke, and lack of darts or waist fitting - these are all details regularly found on my beloved 1979 Style patterns. So when, while documenting some more of the Stash Shop, I found a length of cotton which I had bought simply because the print was so utterly 1970s . . . well, it was clearly a match made in heaven.

1970s details, meet 1970s fabric

Happily, I had just the right amount.

The layout did take careful planning

There isn't a lot to write about the construction, except to say that I was glad that I'd noted the first time that all the work is in the bodice, as it seemed to take forever to complete. I reinforced the pocket edges again, this time using selvedge from the fabric. I also lengthened the skirt back at the centre, which made it easier to get the hem level.

One thing I really like about this pattern is that it has proper sleeves with cuffs, a detail which is vanishing rare these days. To my delight and astonishment, I found the perfect buttons in my button tin.

Right colour, size and number - it's a miracle!

And here is the finished dress. I was a little concerned that the cotton poplin might hang more stiffly than the viscose I used previously, but it is fine.

With pockets!

One thing which has changed since I last made this dress is that I now take seated photographs. So here is Grace, seated.

#SewnShownSeated

I may have had my doubts about my first Grace, but I have none about this one; it is undoubtedly going to join its predecessor in the 'heavy rotation' category in my wardrobe. Plus, it's a few more metres out of the stash.

Another 3.5m gone