Something different

I have started work on a new dress. Hardly out of the ordinary for me, but there are a couple of things which make this one a little unusual. First, it's black. The only completed plain black item ever to appear on this blog is a skirt which didn't even get its own post, and my previous attempt to make a black dress, Butterick 7598, has languished in the UFO pile for ages. But suddenly, I felt the urge to make a new black dress after over a decade of not wearing the colour. Second, possibly inspired by the Bedazzled exhibition, I decided to include some sort of embellished element.

I couldn't find any fabric I liked on the roll in my local fabric shop, but then I spotted this remnant. It's embossed in a pattern of circles, and has a very slight sheen. Unfortunately, the pattern is not on the crosswise grain (a common issue with remnants, I find), so I am cutting out in line with the circles and hoping for the best.

The fabric with the grain aligned to my cutting board

The obvious thing with remnants is that you have to work with what you've got, and in this case, I don't have a lot. My first idea was to make another Butterick 6866 view B, but that skirt takes a lot of fabric.

I have less than 3m of fabric . . .

. . . and this pattern needs far more than that

Instead, I have just cut out the bodice pieces for now, excluding the facings as I'm going to line the dress. Once the bodice is made up, I will find a suitable skirt pattern for the fabric I have left.

For the embellishment, I'm using black sequins in satin and shiny finishes. So far, I've made buttons for the bodice using square sequins sewn in a chequerboard effect and wrapped over a base of scrap perspex.

I'm on a bit of a fancy button roll!

The plan is to make the lower curved section out of fabric the wrong side up and covered with round sequins. Unfortunately, it's a long time since I have worked with sequins, and I had forgotten just how long it takes!

Thread-traced pattern piece prepped for embellishing

My (limited) progress so far

Hopefully I will get faster as I get more practice.

New Look 6000, again

Finally, my sewjo appears to be making a cautious but welcome return. I've made a new dress - entirely unplanned and, for once, not in a vintage style!

It's a pattern from the 21st century!

When I went to the preview of the Bedazzled exhibition the other week, guests were encouraged to wear their most sparkly outfits. Unfortunately for me, the most/only sparkly thing in my wardrobe was the purple version of New Look 6000 view C with its beaded buttons.

The sum total of bling in my wardrobe

Given that I made it back in July 2012, I wasn't sure if I would still be able to get into it! To my amazement, I could, and wearing it again reminded me just how much I liked it. So much so that I decided on a whim to make a new version, using a stashed length of blue/grey fabric. It is suiting weight, slightly stretchy, and was part of a bundle of sewing stuff that I had bought in a charity shop because I wanted something else in the bundle.

New dress!

There isn't really a lot to say about the construction. I made the sleeves a little longer and omitted the cuffs as they are a nice feature, but bulky. Something which can't be worn with a jacket or cardi over the top was fine when I worked in a warm office - nowadays, not so much! I had also forgotten just how much New Look patterns run short on me; even though I had lengthened the skirt, it still needed a seam binding finish in order to make the hem as tiny as possible. Finally, I definitely need to learn how to do a full bust adjustment on a sheath dress, as it's undoubtedly snug in that area. Overall though, I'm happy.

#sewnshownseated

I'm particularly pleased with the button on the collar. I wanted to do some sort of beading again, but couldn't think what. Then I remembered this hair ornament which Dante Gabriel Rosetti used in several of his paintings.

Clockwise from top left, details from: Monna Vanna, The Beloved, A Christmas Carol, Mariana, The Bower Meadow

I drew a spiral freehand on some tearaway stabiliser (accidentally in the opposite direction to the original!), and sandwiched the fabric between this and a scrap of cotton to stop it from pulling out of shape. I sewed down a small cabochon at the centre, then couched a string of silver beads around this and along the spiral, and removed the stabiliser. Finally, I did single stitches in silver thread between the rows of beads, and arranged the end result over a large self-cover button. Because the fabric underneath blends into the dress, I feel that it gives a similar effect to the Rosetti ornament.

Close-up of the button

Finally, this unplanned project is another reduction on the Stashometer.

I'm amazed that I've used that much, tbh

It may only be a couple of metres, but with less than two months to go to the end of the year, I'll take any win I can get!